Thursday, 29 March 2007

Favourite Book

It's a little known fact that The Grey Cardigan has a favourite book. It's even got the word 'Book' in the title.


"I consider myself to be an extreme hobbyist, not only do I like to collect books but I like to collect multiple copies of the same book. This pushes me to a whole new level of hobbying in my opinion, distinguishing my hobby from the average run of the mill hobby into the eschlons of hobbying legend. Of course none of this will hold any water without photographic evidence so I enclose a picture of a small sample from my collection. I hope you enjoy this picture as much as I have." - The Grey Cardigan


Pictures at an Exhibition

Pictures at an Exhibition was a piece of music by Mussorgsky.
The following has nothing to do with that. This is Office Art.

Dark Chickens 1977 - xxxx
2B or not 2B (d. 2007)
2B or not 2B is a peerless modern sculpture which sets out to challenge the established concept of mans modern working effort against the tier of responsibility. Defining the internal utilisation and promoted importance through its hierarchical composition.

The exhibition is closed

The unique multiple dimension expansion illuminates the constitution of importance forced upon the working man. Progressively diminutive implements lay bare the total drudgery to achieve stability within the predefine level of confinement.

The almost camouflaged reality of the top drawer exonerates the viewer concessions of delivery and dedication. Its sharpened point drawing emphasis to the removal of exertion to the next level. Is it by chance that the security mechanisms implements internal containment and ultimate safety from the external locale?

Contents of the top drawer

It's the kamikaze state of the second drawer, its scratched and battered surface and reddened depiction which emphasises the overindulgence and burdening rein of this middle domain. The blunted and worn nature illuminating the increased effort, but it length perceiving the effort restricted to a narrow epoch.

Contents of the second drawer

The lasting deception of the true depth of the last drawer is heightened by the diminutive size. Its personal mass positively overburdened by it vessel. The dilapidated manifestation of the eraser exposes the erroneous deeds remedied. Contemplation of the blue practice depicted potentially emphasising tiredness within role.


Contents of the third drawer



The whole exhibit



Dark Chickens 1977 - xxxx
Given Up (d. 2007)
Given Up is an interactive putty like pressure responsive adhesive sculpture whose periphery definition gives rise to a perplexing composition exploring the emotional release of dependence upon the human entity.

The captured being partial emergence from his self induced penitentiary is sustained, but his freedom is entangled with an indefinite struggle that encapsulates internal impairment and individual desires.

The contained expression incarcerate on the visual identity of the subject highlights the exertion and pain experienced through dependence release.

The troubled face entangles the emotional soul of the fight. His slumbered and stretched pose confirms his desires to achieve, yet the stillness of his back perhaps portrays his past or defines his ultimate ambition to return to that state of external reliance.






Arts Review (by our own correspondent)
I discovered the exhibits by accident (by email again!), and found them to be profound and at the same time exhilerating.

The Dark Chickens three drawer offering is spectacular. I won't spoil it for you by telling you the ending, but I can suggest how to gain maximum impact to your emotions and senses.The exhibit is described in thre paragraphs, each for a drawer. Read one paragraph at a time, contemplate the concepts (explained in plain language, which is unusual for this quality of artwork) then open the drawer.

I felt that it was important to work from top down, but the artist may take the view that a random element could be introduced and this should be explored. The public viewing policy is such that you could visit as a group of friends and each experiment with different viewing orders. Discuss your experiences.

Given Up is the new sculpture by Dark Chickens. Ponder as you look deep into the eyes of the subject depicted. Empathise. Now you know what it means to you.

Our star ratings:
Profound? Certainly. *****
Is it Art? Definately. *****
Is it free to get in? Yes, for now. *****
Summary: This exhibit may not be around for long. Wear a hat.

Girl about town

The Grey Cardigan spots a fashion victim

"Although slightly obscured by the naffness of my mobile phone camera, what we see here is an extreme example of the craze of wearing your trousers stupidly low. The girl we see here (yes, it's a girl) is showing what can only be described as interestingly patterned white boxers between her low hang trousers (short leg length) and jacket. The other girl affectionately draped around her shoulders is more suitably dressed for this more clement time of year." - The Grey Cardigan


Victim of fashion score: 8.5 (out of 10)
Likely to shock a passing elderly lady: 10 (out of 10)

A Lambpie Lunch

Lambpie (of WorldWideWig fame) has today reported that:
  • It is not possible to buy a 4 way Hozelock distribution bar in Bexleyheath, although other inferior makes are available.
  • One of his collegues has crippled England footballer Michael Owen's phone number on his mobile.
  • Another collegue is considering having a haircut to eliminate an infestation.


Thanks for the gossip Lambpie, let us know if you find that Hozelock fitting!

Wednesday, 28 March 2007

Corporate Containment

The Grey Cardigan has finally reached his objective. He has been working on his modern art exhibit for some time.

A brief history
On the 8th of March 2007 at 15:03 he made an entry in his diary. It read "Coke Can situation - running out of space".

This was a pivetol moment in the design of his exhibit. The decision was not an easy one. Looking back through his design notes he saw that he had been collecting since August 2006. His initial investigations showed that he could fit five Coke cans snugly in an office desk pedestal drawer. What had started out as an experiment in spacial mechanics was now taking form and structure as a credible expression. A work of Art. Now the idea was fully developed, and that was part of the problem.

His collection of cans had made steady progress over the last six months but now that space was restricted, he could decide to complete the work to the original concept design or compromise by exhibiting early. It's a choice that many an artist faces when a deadline approaches.

Fortunately, he made the right decision and decided that quality over expediency was the proper course.

During the course of the next few days, he had an epiphany. A halloween doll was to be buried under the cans in the third drawer to symbolise the pressures of unorganised working in the office.

The work was now complete and is pictured for the first time here.

An early Arts Review
I discovered the exhibit by accident (by email actually), and found them to be profound and at the same time exhilerating. The covert nature of The Grey Cardigan's coke can exhibit is a fascinating concept. The way it first fails to speak to modern business culture by it's unobtrusive existance, then bursts forth as it slides into view is reminiscent of exactly the issues the exhibit seeks to illuminate. A brilliant piece of engineering realigns one of the cans whenever it is forced into line with the others - an amazing idea from this hitherto unknown artist.

The Grey Cardigan 1977 - xxxx
Corporate Containment (d. 2007)

Corporate Containment is a unique piece of modern sculpture that explores the balance of corporate wealth and its restrictions within its own social parameters, defining it juncture position against confinement and governance.

The exhibit is closed.









The choice of Coca-Cola as the cultural image is not accidental, not only does its colour heighten the inherited senses, but its highly recognised and multi-dimensional branding alerts the viewer to it dominance of its occupied domain. The organisation and structure of the cans in the first two smaller draws aims to demonstrate the carefully conceived and motivated dominance of it surrounds. The regiment and manipulated ranks of aluminium depict the materialist important of branding on our own society, exploring its depiction and ultimate successfulness.

The first drawer.




The second drawer.







The relaxed ethos of the third drawer is in direct contrast. The solitary branding still governs its vessel, but one get the overwhelming sense of freedom from the regimented ranks of its higher and implied superior "cousin" containers. The random and somewhat chaotic nature of this drawer reduces the impression of the icon, despite the heightened numbers of branded items. Ultimately the chaos gives the feeling that you could easily throw the odd Tango can in amongst it and things would still be as stable, but what effect would this have on the manipulate brand?




The third drawer.



The whole 3 drawer pedestal with pen tray removed.


Our star ratings
Profound? Certainly. *****
Is it Art? Definately. *****
Is it free to get in? Yes, for now. *****

Summary: This exhibit may not be around for long. We expect it to move to a more expensive gallery so see it while you can (no pun intended).






Marriott Memoirs - Chapter 1

The Gym

It was Monday morning and JDubya had got up much earlier than usual to try to get fit. It was desperately close to his holiday so he knew he had to overdo it. If he could make it to the gym before work today he stood a chance of lasting till lunchtime during the first day of the forthcoming ski trip.

It had been over six months since his last visit and he remembered that there was always a queue for the cross trainer, his chosen method of self inflicted exhaustion. In an attempt to foil the regulars, he had slipped through the entrance a full ten minutes before opening time and hurredly made his way into the changing room. To his horror, the regulars were already there. The builder with a bandaged knee, the old codger with an Irish Accent and a new bloke, already to go with Ipod headphones already making him oblivious to JDubya's mumbled 'Good morn...'

He almost dived to the nearest locker. Towel and clean clothes thrown in, pound coin inserted, lock turned, key extracted. Jogging now, out of the changing room and into the gym. His machine, for that's how he thought of it in spite of his long absence, was unoccupied. He quickly took his position and the old schoolyard chant ran through his head. "I'm the king of the castle, you're the dirty rascals". Soon the childish victory song was replaced by the sounds from the TV as the Aerobics Oz Style program was switched on by 'new bloke'. He'd never seen it before and was held mesmerised by the young women doing their exercises on the beach. It didn't seem natural. How could they perpetually smile while contorting themselves in such a way?

He told himself that this distraction had been beneficial. The five minutes he had pre-programmed onto the machine had passed without him noticing them. He'd failed to hear the beep when the machine tried to tell him that his time was up, and as he glanced down now, he saw that twenty minutes had passed and his heart rate was dangerously high. More than double his normal 'at rest' rate. He was certain that it shouldn't be that high. so stumbled off the machine and back to the changing room.

The regulars josteled for position, not actually making physical or even eye contact, but by purposefully striding towards the machine made their hostile intentions known and it was only at the last second that one man deviated from the path and stepped across the adjacent rowing machine in a classic Freudian defense move.

JDubya headed for the steam room. It had been newly refurbished and had LED lighting in the ceiling and a strange transparent rock in the corner which periodically changed colour and threw patterns onto the expensive tiled seating. He knew he could cool down there. The steam room rarely rose above room temperature so he could relax and literally chill out.

After some time, his heart rate had returned to normal and grudgingly he stood up, knowing that this was the first move towards getting to work. The regulars were already in the changing room and chatting about shopping trolleys.

"There are three of them in the carpark outside Sainburys" said the builder. "They take the trolleys back and get the pound coins that people leave inside. Sainsburys don't like it, but what can they do?" he gestured with a shrug of the shoulders.

The old codger chipped in. "There's a pensioner who takes the trolleys back at ASDA too. They stopped him and asked why he did it. He said it was for the exercise, but I think it was for the pound coins".

As an afterthought he added "I sometimes find pound coins in these lockers!"

JDubya had had a similar experience and nodded knowingly. Months ago, he had put his pound into the slot of the locker and when he opened it found two. He'd pocketed the extra coin and a week later had forgotton to take the money when removing his clothes. He'd broken even.

Time for work, but first he needed a shower. Builder and 'new bloke' had already packed their sports bags and headed out of the door. Old codger had started to talk about Ireland and JDubya found it both hard to keep track of and irritating. He had to get to work soon or he would be late. He tried to make a closing comment to shut the old guy up, but failed in his efforts the first couple of times because the poor chap was mostly deaf and JDubya's words echoed round the changing room like announcements on a station platform. After saying something inane in agreement to an observation about a pub in Dublin (to which he had never been), he made his move to the shower.

Three minutes later he emerged, returned to his locker barely a metre away and dried himself. The old chap had already left so he removed his clothes from the locker and got dressed in peace.

Just before leaving the changing room he put his fingers into the coin reject cup inside the locker and found that his pound had gone.

Tuesday.
The old codger seemed suprised when his cheery "Lovely Mornin" was greeted by a growl.

JDubya failed to beat the regulars, one of whom was already on 'his machine' and the other staring at it meaningfully. There was a queue and he wouldn't be able to jump it. It was still ten minutes before opening time and he realised two things; the regulars would not be caught out ever again, and he had left it far too late to get fit. He ached all over and was almost glad that his only option was to sit in the cold steam room and then go to work.

He would leave the decision about whether to come back tomorrow until later. Meanwhile he completed a customer comments form, commenting on the temperature of the steam room, requesting the installation of a new cross trainer and adding a note to the effect that the showers were difficult to turn off. Reading it back, it sounded a little harsh so rather than post it, he decided to deliver it in person to the General Manager. He could explain that although the comments seemed to be strongly worded, these were simply a report of minor irritants.

Wednesday.
A small sleep in, justified to himself on the grounds that new bloke would have captured the cross trainer and would be warming it up ready for his arrival. A further 20 minutes under the duvet would be time well spent and he could breeze into the gym with an air of machine ownership, stride towards it knowing that new bloke was about to dismount, and win the admiration of anyone else that happened to be there as new bloke appeared to pass it over in deference to a higher authority.

Didn't make any difference of course, as Builder and new bloke had somehow conspired to each use the machine in such a way as to block JDubya's move. He still had to wait thirty minutes before they gave way so he consoled himself with a spell on the rowing machine. He started to row as Aerobics Oz Style was finishing and he noticed that a chap was walking his dog behind the young ladies as the titles rolled. It was good timing, he might have interruped the program if he'd been a few minutes earlier, then the girls would have had to start recording their routine again. They would surely have looked tired the next time round. No-one could be fit enough to do all that twice.

The next program on the sports channel was extreme skiing and this provoked a conversation between two women in the gym about their recent ski holidays. The noise of the rower would have prevented him from listening into their conversation, even if he had wanted to. He did not. He was far more interested in watching the TV and thinking about his ski trip in a couple of weeks time. That's why he was in the gym after all.

As he left the gym, the duty manager called him over. "I have some feedback for you" he said. The GM had immediately responded, and the showers would be fixed later today. The steam room had been turned up, but unfortunately as a result there had been a lot of complaints that it was too hot and some of the staff had been convinced that it was about to cause a fire. The new cross trainer would be purchased ("Andrea will deal with it soon").

Now firmly in holiday mood, he went for breakfast. So focused on his holiday that he almost said "Bonjour" as he entered the restaurant but said "Good Morning" instead. After eating a meagre bowl of cereals, he stood up to leave. It crossed his mind that he would not know how to say "Have a nice day" or some other triviallity if he was in France. As he left, he said "Thank-you" to the waitress. She responded "Merci".

Was this just a coincidence? As he said "Thank-you" had it been translated into French and had she responded in kind? Or perhaps he spoken in English and been reponded to in English but his brain had translated her speech into French? If it had, why would it do such a preposterous thing? Bizarre might be too strong a term, but it was certainly unusual.

He made a mental note to deliberately speak in French tomorrow and see if she understood.